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Myoan Shinpo Ryû

[Fundado] Ōzaki Shinryū

Historia

In Kyôto immediately after the dissolution of the Fuke sect, the Myôan Shinpô ryû ('Myôan True Dharma Sect') was important in continuing the honkyoku tradition after the Fuke sect era. Founded by Ozaki Shinryû (1820-1888), its leading proponent was one of Ozaki's students, Katsuura Shôzan (1856-1942). Shôzan became the head of Myôan kyôkai in 1881, and was influential amongst a great number of honkyoku players. He left Myôan kyôkai soon after the arrival of Taizan. Outliving almost all of his contemporaries, Katsuura came to be known as the last of the komusô. Although there is no longer an organization called Myôan Shinpô ryû, much of Katsuura's repertoire continues to be transmitted today both by individuals and as part of the repertoire of other organizations.

Edited by Jeffrey Jones with permission from Dr Riley Lee's PhD Thesis Yearning For The Bell; a study of transmossion in the honkyoku tradition. 1992 University Of Sydney

Repertorio
Darani
陀羅尼
Godan Reiho Nagashi
五段鈴法流
Gyô Kokû
行虚空
Gyô Kyorei
行虚霊
Gyô Mukaiji
行霧海箎
Hime Matsuri
比女祭
Hokkoku Reibo
北国鈴慕
Igusa no Kyoku
葦草の曲
Iyo Renbo
伊予恋慕
Kaikoge Onritsu no Kyoku
開口下音律曲
Kanshinji
感心じ
Kocho no Kyoku
小蝶之曲
Kumoi Netori
雲井音取
Kuyō no Kyoku
供養之曲
Kyûshû no Kyoku
旧州の曲
Muchu no Kyoku
夢中之曲
Mukakoku
霧霞谷
Musho Sugagaki
夢正菅垣
Nankô Fushi Sôbetsu no Kyoku
楠公父子双別曲
Ni Agari Netori
二揚音取
Nidan Sugagaki
二段菅垣
Reibo no Kyoku
霊慕の曲
Rinzetsu no Kyoku
三十絃による輪舌の曲
Rokudan Jishi
六段獅子
Sandan Sugagaki
三段菅垣
Sankara Sugagaki
讃加羅菅垣
Shika no Tône
鹿の遠音
Shin Koku
真虚空
Shin Mukaiji
真霧海箎
Shinseki Reiho
真蹟鈴法
Shishi Odori
獅子踊
Shokomon
焼香文
Sō Kokū
艸虚空
Sō Kyorei
艸虚鈴
Sō Mukaiji
艸霧海じ
Taihei Manzai Raku
太平万才楽
Taki Ochi no Kyoku
滝落の曲
Tehodoki Reiho
手解鈴法
Toyo no Akita
豊之秋田
Yoshiya Renbo
吉野鈴慕
Zangemon
懺悔文
Personas Asociadas
Adachi Seishū
足立晴舟
Kirchner, Marcus
竹真山竹
Sano Tōkai
佐野東界
Senryu Williams, Justin
ジャスティン泉龍
Tsunoda Rogetsu I
初代 津野田 露月
Tsunoda Rogetsu II
二代 津野田 露月
Yoshikawa Shōko
吉川正光
Ōzaki Shinryū
尾崎真龍